| Chiyoko Szlavnics : scores & recordings |
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FOR A MORE COMPLETE LIST OF WORKS, PLEASE DOWNLOAD CURRICULUM VITAE | ||||
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SOLOS WITH/WITHOUT ELECTRONICS |
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Eva Hesse (with CN) (2007)
8 channel sound installation stereo performance possible with live solo flute |
14'08" |
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Structures in the Mind's Eye (2005-2006)
solo viola, sine tones |
30' |
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Her Teeth Were White (1999)
solo percussion dedicated to Christian Wolff |
4' - variable |
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CHAMBER ENSEMBLE
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Autonomous Gardens I (2008)
flute, violin, violoncello, piano, sine tones |
18'43" | |||
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Different Lights Fall (2007)
clarinet (& bass clarinet), accordion, electric guitar, sine tones |
20' |
Wildflowers (2007)
chamber ensemble (11 instruments) |
16' |
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Reservoir (2006)
chamber ensemble (8 instruments), sine tones |
26'20" |
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CILIA TREMBLE (2006)
(a series of short pieces composed for Haus 19) | ||||
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For Eva Hesse
sine tones |
15' | |||
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For Agnes Martin
2 violins, accordion |
ca. 3' | |||
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Tryptich for AS
2 violins, accordion, sine tones |
10' |
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For JT
2 violins, accordion |
3'10" |
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For TN
2 violins, accordion |
4' |
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For BN
sine tones |
5' |
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For CN
sine tones |
1'30" | |||
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Acclines
2 violins, accordion |
10' |
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Gradients of Detail (2005-6)
string quartet |
21'30" |
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The Spaces Between Them (2005)
chamber ensemble (7 instruments), sine tones |
34'40" |
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(a)long lines; we'll draw our own lines (2004)
chamber ensemble (7 instruments) |
30' |
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Partial Response (2000)
mezzosoprano, 2 alto saxophone mouthpieces/necks |
13'30" |
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instil / in silence (1997)
clarinet, trumpet, piano, percussion, violin, contrabass |
1'30" |
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Papyrus Bending (1994)
saxophone quartet |
9'50" |
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Mercator's Projection (1994)
violin, clarinet (d. bass cl.), trumpet, percussion |
8' | |||
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CHAMBER ORCHESTRA
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Heliotrope (for Frank O'Hara) (2007)
chamber orchestra, sine tones |
11'16" |
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Wind in the Ceiling (2004-05)
chamber orchestra |
5' |
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...WITH TEXT
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Narrow Road: Travelling Songs (2000)
mezzosoprano, viola, piano (d. melodica), percussion (d. bass melodica) text: poems by Gerry Shikatani |
12' | |||
| 1. buildings/stores |
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| 2. the street |
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| 3. green growth |
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| 4. in air | 3'24" |
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| 5. green moss |
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Expansion (1998)
male speaking voice, flute (d. sop sax), piano text by Christophe Marchand-Kiss |
10' |
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ARTICLES
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Verknüpfung der Vergangenheit mit der Zukunft MusikTexte 112, pp. 63-65, February 2007. Cologne. Translation into German of "Reflections on James Tenney" by Gisela Gronemeyer. MusikTexte - Zeitschrift für Neue Musik ed. G. Gronemeyer and R. Oehlschlägel | ||||
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Reflections on James Tenney Musicworks #97, pp.17-19, Spring 2007. Toronto, Canada. Article describing Tenney as an influential teacher and composer. Musicworks |
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"Opening Ears: The Intimacy of the Detail of Sound" Filigrane: Nouvelles Sensibilités, No. 4, pp. 37-57, Éditions Delatour France, Paris. Article describing own composition process, the use of drawings as the basis for compositions Just Intonation ratios, and the influence of James Tenney, including his notion of Lattice of Harmony. Revuefiligrane Revuefiligrane revue4 |
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Redefining an Instrument an interview with Robin Hayward, Musicworks #89, pp. 30-39, Summer 2004. Toronto. Hayward discusses his approach to the tuba, using it in innovative ways to produce noise improvisations and compositions, and retuning the instrument for Just Intonation. Musicworks |
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City Sites as Performance Settings Musicworks #69, pp. 22-27, December 1997. Toronto. Article describing the site-specific performance series, "Art in Open Spaces", which the author co-curated with choreographer Bill James in Toronto, and how the outdoor environment affects performances and audiences. Musicworks |
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top
biography
curriculum vitae (pdf)
drawings
solos
chamber ensemble chamber orchestra
...with text articles
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