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Linien, Töne, Vibrationen. Die Kanadierin Chiyoko Szlavnics MusikTexte 127, Dezember 2010. Cologne. Article on Chiyoko Szlavnics by Matthias Entress. MusikTexte — Zeitschrift für Neue Musik |
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Notations 21 Edited by Theresa Sauer, Mark Batty Publisher, 2009. New York. Text and Drawing. Notations 21 |
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Verknüpfung der Vergangenheit mit der Zukunft MusikTexte 112, pp. 63-65, February 2007. Cologne. Translation into German of ″Reflections on James Tenney″ (transl. Gisela Gronemeyer) MusikTexte — Zeitschrift für Neue Musik |
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Reflections on James Tenney Musicworks #97, pp.17-19, Spring 2007. Toronto. Article describing Tenney as an influential composer for future generations. Musicworks (PDF) |
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Opening Ears: The Intimacy of the Detail of Sound Filigrane: Nouvelles Sensibilités, No. 4, pp. 37-57, Éditions Delatour, 2006. Paris. Article describing own composition process, the use of drawings as the basis for compositions; Just Intonation ratios; and the influence of James Tenney, including his notion of a ″Lattice of Harmony″ Revuefiligrane Revuefiligrane revue 4 (PDF) |
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Redefining an Instrument Musicworks #89, pp. 30-39, Summer 2004. Toronto. An interview with Robin Hayward. Berlin-based Robin Hayward discusses his approach to the tuba, using it in innovative ways to produce noise through improvisation and composition. Musicworks (PDF) |
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City Sites as Performance Settings Musicworks #69, pp. 22-27, December 1997. Toronto. Article describing the site-specific performance series, ″Art in Open Spaces″, which the author co-curated with choreographer Bill James in Toronto, Canada. Musicworks |
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