 |
|
|
|
ARTICLES / PUBLICATIONS | |
|
Notations 21 Edited by Theresa Sauer, Mark Batty Publisher, 2009. New York. Text and Drawing. Notations 21 |
|
|
Verknüpfung der Vergangenheit mit der Zukunft MusikTexte 112, pp. 63-65, February 2007. Cologne. Translation into German of ″Reflections on James Tenney″ by Gisela Gronemeyer. MusikTexte — Zeitschrift für Neue Musik |
|
|
Reflections on James Tenney Musicworks #97, pp.17-19, Spring 2007. Toronto. Article describing Tenney as an influential composer for future generations. Musicworks (PDF) |
|
|
Opening Ears: The Intimacy of the Detail of Sound Filigrane: Nouvelles Sensibilités, No. 4, pp. 37-57, Éditions Delatour, 2006. Paris. Article describing own composition process, the use of drawings as the basis for compositions; Just Intonation ratios; and the influence of James Tenney, including his notion of a ″Lattice of Harmony″ Revuefiligrane Revuefiligrane revue 4 (PDF) |
|
|
Redefining an Instrument Musicworks #89, pp. 30-39, Summer 2004. Toronto. An interview with Robin Hayward. Berlin-based Robin Hayward discusses his approach to the tuba, using it in innovative ways to produce noise through improvisation and composition. Musicworks (PDF) |
|
|
City Sites as Performance Settings Musicworks #69, pp. 22-27, December 1997. Toronto. Article describing the site-specific performance series, ″Art in Open Spaces″, which the author co-curated with choreographer Bill James in Toronto, Canada. Musicworks |
|
|
||
|
||
|
||
|
||
|